Today I continued with small alterations. I quite enjoyed sewing a protective under-patch on the underarm of one of the sequinned dresses and was happy with its execution. This was to prevent the sequins from rubbing against the performer and causing irritation. It was a good lesson in considering how garments wear on the body and how this should be taken into account in their construction. I also attempted to add fullness into the Moth Maiden skirt, however I soon realised this was a feat outside of my experience and was a point to pass it onto Helen or Sarah. This didn’t feel like giving up, rather assessing my own skills and realising that in order to maintain the integrity of the skirt, somebody with greater construction knowledge would be better suited to working on it.
